I THINK IT’S WORTH POINTING OUT THAT I’VE BEEN VERY SERIOUS THROUGHOUT THIS ENTIRE DISCUSSION OR, DAVE AND JULIA ARE STUCK IN A TREE by Mallory Jane Weiss

 
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When runaway snow tubes send a dad and his grown daughter flying off a cliff, they’re left hanging on for dear life -- and testing the limits of a punchline. This winning comedy, recipient of the 2020 James Stevenson Prize for Short Comedic Plays, cheerfully prods family bonds between parents and their grown children.

Written by Mallory Jane Weiss and directed by Tony nominee Moritz von Stuelpnagel (Hand to God), I THINK IT’S WORTH POINTING OUT…  is a world premiere starring real-life father and daughter Danny DeVito (“It’s Always Sunny In Philadelphia”) and Lucy DeVito (“The Marvelous Mrs. Maisel” ). It was first performed live at Playing on Air’s 2020 Digital Holiday Benefit.

Download on iTunes, search ‘Playing on Air’ in your favorite podcasting app – or stream below! [30 Minutes 4 Seconds]

HUMAN RESOURCES by Jason Gray Platt

 
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Playing on Air is proud to present the winner of our 2019 James Stevenson Prize: Jason Gray Platt’s HUMAN RESOURCES.

Tech start-up Diddly has a problem: their staff is whiter than a Coldplay concert in Vermont. Fortunately, Human Resources has a plan to “improve” Diddly’s corporate culture —at least in theory.

A biting satire about virtue signaling and elephant milk, HUMAN RESOURCES features Tony winner Julie White (Airline Highway, A Doll’s House, Part 2) and Tony nominee Steven Boyer (Hand To God, PoA’s An Upset). Jade King Carroll (Hello, From the Children of Planet Earth, Proof of Love) directs the world premiere, recorded live at New York’s Pershing Square Signature Center. After the play, host Claudia Catania joins the ensemble for a discussion about comedy, identity, and the absurd.

Download on iTunes, search ‘Playing on Air’ in your favorite podcasting app – or stream below! [24 Minutes]

THE CLAM by Amanda Quaid

 
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Tony Shalhoub and Kristine Nielsen star in Amanda Quaid’s THE CLAM, the Second Place winner of Playing on Air’s 2019 James Stevenson Prize competition. 

After a lifetime of playing it safe, a wistful clam (Shalhoub) decides to come out of his shell with  help from a therapist (Nielsen). His friends are disappearing without a trace, he’s lost touch with thousands of his children, and he’s desperate for a pearl to call his own. Alternately tongue-in-cheek and deeply identifiable, THE CLAM is a comedy for anyone who’s ever felt adrift in their search for happiness. 

Tony nominee Moritz von Stuelpnagel (Broadway’s Bernhardt/Hamlet, Hand to God) directs Tony, Emmy, and Golden Globe winner Shalhoub (“The Marvelous Mrs. Maisel,” The Band’s Visit, “Monk”) and Tony nominee Nielsen (Gary: A Sequel to Titus Androninus, PoA’s Wildwood Park). The opening episode of PoA’s 2020 Spring Season, THE CLAM was recorded live at New York’s Pershing Square Signature Center.

Download on iTunes, search ‘Playing on Air’ in your favorite podcasting app – or stream below! [24 Minutes 49 Seconds]

HEDGEHOG YEARS by Lily Akerman

 
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"Any words spoken by hedgehogs in this play are in translation. Please note that all translations are betrayals..."

Emmy winner Carol Kane (The Princess Bride, Hester Street, "Unbreakable Kimmy Schmidt") and Tony nominee Jeremy Shamos ("Better Call Saul," Clybourne Park) star in Lily Akerman's Hedgehog Years, the second place winner of Playing on Air's 2018 James Stevenson Prize. When he was five, Theo (Shamos) met his best friend: an excitable hedgehog (Kane) who loves leftovers and longs to go to summer camp. Now, sifting through his memories, Theo must try to make sense of the days when he ran away from home and started living like an animal. Mischievous and heartbreaking, Hedgehog Years is an adventure for anyone who's ever ached to return to childhood. After the play, Tony winner and director Judith Ivey joins the cast, Akerman, and host Claudia Catania to discuss imagination and animal instincts. 

Download on iTunesPodbayPlayer FM, subscribe to our RSS feed, search ‘Playing on Air’ in your favorite podcasting app – or stream below! [26 Minutes 50 Seconds]